AVGS is proud to have supported a diverse array of visionary talent over the past year, with an emphasis on widening the stage for emerging artists, voices and concepts. Each used our technology and flexibility to brilliant effect, in a creative environment tailored to their individual workflow. Reach out to learn more.


AVGS hosted superstar artist Jackson Wang for a commercial and documentary shoot to launch The Yulong, his global fragrance and fashion collaboration with Armani. Production returned soon after to film a series of concert segments for an upcoming world tour.


Unilever and BET invited actress Tabitha Brown and over 30 children of all ages to our stage for the launch of The Crown Act, an initiative to end race-based hair discrimination. Segments were created for the BET Awards, plus a range of commercials, digital/social takeovers and PR content.


Sprite chose AVGS for realizing The One, an incredible live action/VR experience featuring music artist Coi Leray. Created for Sprite’s Limelight program, the multi-day shoot made strong use of our stage’s white cyc/black void/green screen efficiency, as well as our full array of installed RGBw lighting and networking.


Bumble and award-winning artist/director Teyana Taylor joined forces at AVGS to film Luv2SeeIt, a multi-episodic digital series focusing on love and dating in the black community. Each episode featured Teyana in candid, revealing conversation with leading celebrities, athletes and special guests, inside a custom RV filmed on our drive-on stage and private back lot.

Lil Pump

Music video for the release of She Know, featuring Ty Dolla $ign. The stage’s ability to rapidly transform in texture and effect allowed for more expansive coverage in a creative set environment, while production time was maximized via intelligent use of our installed grid and networking.


Viacom’s Velocity division chose AVGS for two unique productions — one for the VMAs in collaboration with singer Ava Max, and a second for a Christmas toy special to air on Paramount+. Each required different combinations of set build, virtual production and performance capture.