As part of our fifth anniversary, we’re launching custom showcases that celebrate some of the incredible brands, artists, directors and designers who chose AVGS to realize their vision. Music (left) and Commercials (right) kick off the celebration, with more on the way throughout the year. Together, they reflect the pure diversity of staging and spirit that makes AVGS such a unique production partner.

AVGS served as the location for several interviews featured in Apple TV’s groundbreaking Number One On The Call Sheet. Over the course of two days, director Shola Lynch held in-depth conversations with Gabrielle Union, Vivica A. Fox and Gabourey Sidibe, using every area of our stage to create an intimate atmosphere that set each actress at ease from first arrival through preparation, styling and filming.

Launch film and concert visuals for Ice Cube’s upcoming 4 Decades tour. Using our pre-hung 100′ black curtain and installed RGBw+ lighting to create an instant black void stage, camera and effects teams were able to give their full attention to concept visualization, resulting in maximum on-screen impact within a more efficient shoot day. While our installed surround sound system made playback and sync seamless.

To announce Orlando Bloom as the new face of Porsche Design, the actor paid tribute to his iconic 911 by delivering it to the center of the AVGS stage. Using only our installed RGBw+ volume and 2x Auroris X softbox, every curve was accentuated with a deep red luster, with RGBw+ keys used to spotlight Orlando and his favorite Porsche design objects. Photography as well as film were easily accommodated within the same lighting design for additional efficiency.

For its collab with New York indie band Hoax, Volvo turned the AVGS stage into a rich visual landscape, filling our 40′ x 50′ custom cyc with warm brand pastels via our installed RGBw+ lighting volume, using our 12 ‘x 20’ 2x Auroris X softbox to accentuate the EX90 in camera, and taking advantage of pixel animation lighting modes to simplify visual effects in post.

Live performance filmed and recorded on the AVGS stage, with bespoke lighting looks calibrated to the mood of each song. All aspects, including programming, were easily set up at the top of the day, allowing for rehearsal and recording of multiple takes to the artist’s satisfaction, while post was able to be expedited due to the flawless nature of the lighting and acoustics.

Music video for Residuals, Vevo Global Video of the Week and Billboard R&B #1. In addition to using our 100′ pre-lit green screen volume for all of the story’s numerous XR scenes, director Travis Colbert featured the AVGS stage itself as a location, including our 10′ x 20′ LED wall and VIP talent areas, and filmed all outdoor scenes in our private back lot.

Live stream to promote the launch of Beast Games on Prime. Via our dedicated fiber Internet and streaming tech, MrBeast hosted a 2+ hour Twitch stream scavenger hunt across LA, culminating in the contestants arriving at AVGS for the final round. Our mezzanine green room served as MrBeast’s hosting lounge, before descending to our 40′ x 50′ white cyc stage to greet the finalists and challenge them for the $100k grand prize.

Launch commercial for Mariah Carey’s Christmas tour, directed by Joseph Kahn. The intricate combination of complex shots and choreography was filmed in a single day via our pre-lit green screen/XR environment, supported by on-set pre-visualization, flexible chroma green flooring and ample room for set changes that included an oversize Christmas tree adorned in real jewels.

Music video for Human, awarded Best Rock Video at the 2024 VMAs. The AVGS stage was used in its green screen/XR configuration, pre-lit via our installed RGBw+ lighting volume and 12′ x 20′ 2x Auroris X RGBw+ softbox, with flying scenes realized via a crane brought into the heart of the stage. Watch the BTS for an inside look.

Digital content series featuring young adults supported out of homelessness via the Rams/Bank of America fellowship program. Using our pre-hung 100′ black curtain,  40′ x 50′ cyc and RGBw+ lighting volume as their canvas, each participant shared their life story in a truly personal fashion, with individual touches of personality throughout. All spots are currently airing online, in BoA branches, and inside SoFi Stadium.

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Official album trailer for We Don’t Trust You. Using our stage’s pre-set black void capability, the production created a transformative look using our installed 100′ black curtain and 2x Auroris X RGBw+ softbox as primary elements, with in-camera and vfx shots accomplished in a single shoot day, followed by still photography and other promotional elements.

Cold open for the Fall season premiere of MasterChef. From a 1950s living room to period kitchens, a number of sets were effortlessly constructed in our green screen/XR environment, which includes a pre-hung 100′ single seam chroma green curtain perfectly keyed via our installed RGBw+ lighting volume. The curtain was then pulled away to capture additional vfx against our 40’x 50′ cyc wall.

Television and digital campaign for national dental network Clear Choice. Our 40′ x 50′ white cyc was transformed into an intimate confessional set via a design that angled into the cove, leaving ample room for multiple fixed and steadicam coverage, while our RGBw+ lighting volume saved a full pre-light day.

Music video and social/BTS content for thing u do, the first release from Tori Kelly’s new album. Filmed entirely on our 40’x 50′ custom white cyc, with our installed RGBw+ lighting volume and softbox allowing the lighting team to set unlimited candy color looks in seconds, with no pre-light.

Commercials and branded content for Vietnamese electric car maker VinFast, featuring children as “Tiny Critics” giving their take on the model range. Our twin ground-floor roll up doors made vehicle entry/exit simple, with our pre-lit 40′ x 50′ white cyc stage offering ample room for multiple vehicles, plus coverage space and depth.

30 minute live set filmed and recorded live at AVGS, in front of an intimate audience of fans and VIPs. Each track was released as its own music video, with the entire set combined with BTS in a single online exclusive that further enhances the live aspect. Via our dedicated fiber Internet, the performance was also streamed to a private audience.

Multiple episodes of Team Liquid’s popular Two People Talking digital series were filmed at AVGS, combining our pre-hung 100′ black curtain and stage flooring to surround their set design with an instant black void. Our installed 12′ x 20′ Auroris softbox saved additional time, providing an ideal RGBw+ top light with no rigging necessary.

Launch commercial for TCL’s NXTPAPER tablet series, with all scenes — including an airplane fuselage — shot on the AVGS stage in a single day. Further aiding the production was easy installation of a motion control system, and use of our installed RGBw+ lighting volume to rapidly program multiple looks and effects in camera.